- Lesson1 Finding Fossil Man.
- Lesson2 Spare that spider.
- Lesson3 Matterhorn Man.
- Lesson4 Seeing hands.
- Lesson5 Youth .
- Lesson6 The sporting spirit.
- Lesson7 Bats.
- Lesson8 Trading standards.
- Lesson9 Royal Espionage.
- Lesson10 Silicon valley.
- Lesson11 How to Grow Old .
- Lesson12 Banks and their customers.
- Lesson13 The Search for Oil .
- Lesson14 The Butterfly Effect.
- Lesson15 Secrecy in Industry.
- Leaaon16 The modern city.
- Lesson17 A Man-made Disease.
- Lesson18 Porpoises.
- Lesson19 The Stuff of Dreams.
- Lesson20 Snake poison.
- Lesson21 William S. Hart and the Early Western Film .
- Lesson22 Knowledge and progress.
- Lesson23 Bird Flight.
- Lesson24 Beatuy.
- Lesson25 Non-Auditory Effects of Noise.
- Lesson26 The past life of the earth.
- Lesson27 The vasa.
- Lesson28 Patients and doctors.
- Lesson29 The Hovercraft.
- Lesson30 Exploring the sea-floor.
- Lesson31 The Sculptor Speaks.
- Lesson32 Galileo reborn.
- Lesson33 Education.
- Lesson34 Adolescence.
- Lesson35 Space Odyssey.
- Lesson36 The cost of government.
- Lesson37 The Process of Ageing.
- Lesson38 Water and the traveller.
- Lesson39 What Every Writer Wants.
- Lesson40 Waves.
- Lesson41 Training Elephants.
- Lesson42 Recording an earthquake.
- Lesson43 Are There Strangers in Space.
- Lesson44 Patterns of culture.
- Lesson45 Of Men and Galaxies.
- Lesson46 Hobbies.
- Lesson47 The Great Escape .
- Lesson48 Planning a share portfolio.
Lesson39 What Every Writer Wants.
Lesson39 What Every Writer Wants.
录音：Lesson39 What Every Writer Wants.（美音）
录音：Lesson39 What Every Writer Wants.（英音）
Lesson39 What Every Writer Wants.单词讲解
New Word and expressions 生词和短语
Lesson39 What Every Writer Wants.课文讲解1
Lesson39 What Every Writer Wants.课文讲解2
Lesson39 What Every Writer Wants.课文讲解3
What every writer wants
First listen and then answer the following question.
How do professional writers ignore what they were taught at school about writing?
I have known very few writers, but those I have known, and whom I respect, confess at once that they have little idea where they the are going when they first set pen to paper. They have a character, perhaps two; they are in that condition of eager discomfort which passes for inspiration; all admit radical changes of destination once the journey has begun; one, to my certain knowledge, spent nine months on a novel about Kashmir, then reset the whole thing in the Scottish Highlands. I never heard of anyone making a ‘skeleton’, as we were taught at school. In the breaking and remaking, in the timing, interweaving, beginning afresh, the writer comes to discern things in his material which were not consciously in his mind when he began. This organic process, often leading to moments of extraordinary self-discovery, is of an indescribable fascination. A blurred image appears; he adds a brushstroke and another, and it is gone; but something was there, and he will not rest till he has captured it. Sometimes the yeast within a writer outlives a book he has written. I have heard of writers who read nothing but their own books; like adolescents they stand before the mirror, and still cannot fathom the exact outline of the vision before them. For the same reason, writers talk interminably about their own books, winkling out hidden meanings, super-imposing new ones, begging response from those around them. Of course a writer doing this is misunderstood: he might as well try to explain a crime or a love affair. He is also, incidentally, an unforgivable bore.
This temptation to cover the distance between himself and the reader, to study his image in the sight of those who do not know him, can be his undoing: he has begun to write to please.
A young English writer made the pertinent observation a year or two back that the talent goes into the first draft, and the art into the drafts that follow. For this reason also the writer, like any other artist, has no resting place, no crowd or movement in which he may take comfort, no judgment from outside which can replace the judgment from within. A writer makes order out of the anarchy of his heart; he submits himself to a more ruthless discipline than any critic dreamed of, and when he flirts with fame, he is taking time off from living with himself, from the search for what his world contains at its inmost point.
JOHN LE CARRE What every writer wants from Harper’s
New words and expressions 生词和短语
新概念英语第四册Lesson 39 What Every Writer Wants.学习到此结束，同学们记得把课本的练习题做完留言哦。